Formata are non-terrestrial, lively, kinetic and autonomous agents in an waterless, alien mini-planet. Their soft bodies are composed of organic substances similar to those found in meteorites and comets, namely, fatty acids, abiotic hydrocarbons and amino acids. Unlike Earth, formata inhabit an alien world without water and oxygen. The atmosphere of this mini-planet is composed of ammonia, carbon monoxide and argon gases, and its surface covered with warm pools of liquid formamide. In these puddles, these agents move away from stasis: they deform, actively move and self-divide. They become non-equilibrium entities, active material assemblages traversed by flows of matter and energy.

FORMATA are non-terrestrial, lively, kinetic and autonomous agents in a waterless, alien mini-planet. Their soft bodies are composed of organic substances similar to those found in meteorites and comets, namely, fatty acids, abiotic hydrocarbons and amino acids.

 

Unlike Earth, FORMATA inhabit an alien world without water and oxygen. The atmosphere of this mini-planet is composed of ammonia, carbon monoxide and argon gases, and its surface covered with warm pools of liquid formamide. In these puddles, these agents move away from stasis: they deform, actively move and self-divide. They become non-equilibrium entities, active material assemblages traversed by flows of matter and energy.

 

For us it is important that the audience experiences how non-terrestrial entities become operative and autonomous in an alien environment. We aim to reveal how their ability to act is rooted in their materiality, without the need for complex mechanisms, genetic instructions or water. In other words, we aim to exhibit how a self-assembled body, an embedded protometabolism, the capability to deform, move and self-divide are all present within these agents in the form of material agency.

 

In this work, alienness and the perception that these agents are not yet living but already more or less alive certainly confront visitors in multiple ways. This bodily encounter between the audience and alien active matter is critical to our project. It is important not only in the way that these agents help us to materialize the ʻother’, the unknown and unfamiliar lifeforms; but also for the way in which they compel us to re-evaluate our place in an active cosmos. That alien matter can be experienced as active and performative, as a physical and sensual encounter, can not only help us understand how matter itself behaves, but also allow us to rethink the basis for how we perceive and relate to materials, objects and the living. It challenges our current relation with matter because it requires that the human/non-human hierarchy be deconstructed and replaced with an unscaled agency of living, partially alive, and non-living things

In this work, alienness and the perception that these agents are not yet living but already more or less alive certainly confront visitors in multiple ways. This bodily encounter between the audience and alien active matter is critical to our project. It is important not only in the way that these agents help us to materialize the ʻother’, the unknown and unfamiliar lifeforms; but also for the way in which they compel us to re-evaluate our place in an active cosmos.

 

That alien matter can be experienced as active and performative, as a physical and sensual encounter, can not only help us understand how matter itself behaves, but also allow us to rethink the basis for how we perceive and relate to materials, objects and the living. It challenges our current relation with matter because it requires that the human/non-human hierarchy be deconstructed and replaced with an unscaled agency of living, partially alive, and non-living things.